![]() ![]() ![]() ![]() Cronin serves up a largely predictable high-concept blend of The Alamo and The Andromeda Strain, but his yarn has many virtues: It’s very well-paced. The tale that ensues is pretty generic, in the sense that the zombie/virus/sword-and-sorcery genres allow only so much variation from convention if you’ve seen the old Showtime series Jeremiah, then you’ll have a good chunk of the plot down. Amy’s chief butt-kicking sidekick is a virally compromised cutie named Alicia Donadio, “scout sniper of the Expeditionary,” who has a weirdly telepathic way of communicating with the baddies. Enter Amy Harper Bellafonte, known Eastwood-esquely as The Girl from Nowhere, whose job it is to save humankind from its own dark devices. You may be forgiven for thinking of The Dirty Dozen at that point in the plot, but the “virals” in question are far badder than Telly Savalas and John Cassavetes. Readers of The Passage will recall that weird things have happened to humankind thanks to-sigh-a sort-of-zombie-inducing virus unleashed by, yes, sort-of-mad-scientists who were trying to create supersoldiers out of ordinary GIs. The good citizens of Texas might like nothing better than to calve off into a republic and go to war with someone with their very own army and navy, but you wouldn’t want to wish the weird near-future world of Cronin’s latest on anyone, even if it means that Rick Perry is no longer governor. Cronin continues the post-apocalyptic-or, better, post-viral-saga launched with 2010’s The Passage. ![]()
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